restraint as kin and constraint as embassy #1
Anchored in place, but not any place, I see through the foxgloves (lus nam ban-sìth, plants of the fairies) the past embodied in traces, of what has been felled and what was burnt, and because we are both full / of durational relations, our existence escapes description.
to carry a story
Allowing creation to be subjected to extractive economy does not seem to stray far from thinking land can be owned.
the weary father
Is what became negligible the known part of him or the unknown? What is unknown is often confirmed by its own emptiness. Emptiness gives meaning to absence, transforming lack into something that can be felt. Shen Daohong’s work certainly does not lack this form of emptiness.
時間是山是記憶
個體本身，在當下每一個時刻，都與創作有關，也處在創造之中。
an introduction
This is for learning to take part in a community who founds our unhurt belongings, to write with those who inquire about inviolable grounds, this is from a training mind in pattern reading. With a gathering of intentions, form shapes and senses from the coastline of A’ Mhaoil (The Minch)
